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“You want to open up the Rottweiler when it is too hard to look back and you are too afraid to look ahead look beside you I’ll be there shirt In addition,I will do this eyes and make them look as big as possible because it’s more youthful,” explains Linter. The first step? Curl the lashes with an eyelash curler, starting right at the root. Next, you have to pick the right mascara, which requires a fair mount of trial and error. “There are very thickening formulas that don’t work on older women whose lashes have become thinner and more brittle,” she explains. “When they don’t work, the lashes start to clump and there’s nothing more aging then clumpy lashes on a woman over 50.” Currently, Chanel’s long-wearing Inimitable Mascara, which boasts a flexible pronged brush and provitamin B5-laced jet-black formula that nourishes the hairs while providing natural definition, is her favorite when working with older clients. As for liner, Linter makes a point of debunking a long-held myth. “In the old days, they used to say only use brown, but it’s a falsehood that women over 50 can’t use black,” she insists. “You need to create a contrast between the eye color and liner. Brown can make you look tired if it’s not the right brown.” Shade-wise, no woman can go wrong with Lancôme’s Le Crayon Khôl in Black Coffee. “Absolutely anyone can use it!” she insists. While mascara and eyeliner are basic steps, eyeshadow is more of an accessory that plays up your personal style if you want it to. But proceed thoughtfully “Don’t take a shadow and just plop it on the center of the lid,” she instructs. “Using a small eye brush, start from the outer corner of the eyes and work inwards, so that the color gets gradually lighter. It’ll give you a bigger, wide-eyed look.”

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“As you get older, the Rottweiler when it is too hard to look back and you are too afraid to look ahead look beside you I’ll be there shirt In addition,I will do this lips can become asymmetrical and it can be aging,” says Linter. You can balance out the mouth by using a lip pencil in a your-lips-but-better shade, but the formula must have the right amount of slip. “You want it to be so soft that the minute it touches the skin, it glides on,” she explains, adding that NARS’s Velvet Matte Lip Pencils are the best in this regard. To create symmetry, Linter recommends drawing on four separate strokes, always starting from each of the four outer corners and drawing towards the cupid’s bow or to the center of the bottom lips. “That way your lip is going to be more balanced,” she says. Apply lipstick in the same fashion, then use a lip brush to slightly diffuse the edges for a softer look. After painting on a matte lip, Linter will sometimes add a gloss on top to add shine and definition, but never one that’s too heavy or sticky. This part of the process is up to the wearer, Linter emphasizes; “the finish is purely taste.” First, focus on keeping the brows full naturally. “You want to save every eyebrow hair you have, so instead of tweezing, trim them,” says Linter, adding that Revitabrow and Revitalash are incredible growth formulas she uses on herself. To fill in arches, Linter is partial to featherlight hair-like strokes of Troy Suratt’s Expressioniste Brow Pencil. “It’s thin enough for drawing on a hair here and there without looking too artificial,” she says. “[The shades] are so natural-looking.”